W Muzeum Sztuki Nowoczesnej przy ulicy Pańskiej 3 w Warszawie od 10-18 IX 2011 w ramach projektu Dni Tłoczni ma miejsce dość niecodzienna ekspozycja. Sterta fotografii to projekt mający na celu zintegrowanie twórców i odbiorców. W zdjęciach dosłownie rozrzuconych na stercie można dowolnie przebierać; można też zatrzymać wybrane, pod warunkiem, że spełni się zapisane na odwrocie życzenie.
"A variation TWO STICKS AND A PEAR", the theme that I was given as a creative photography assignment, seemed pretty hopeless and infantalising at first, but at the end of the day, if you successfully controvert the given topic, finding the way out is a liberating (and joyful) experience. Contradicting the teacher, I made my first video: I REFUSE TO FULFILL THIS ASSIGMNET.
RHEI is a video recording of significant moments from our family life. My father had shut most of the film. Some time after my family parted he
digitalized the recordings and gave each of us (me, my mother and
sister) a copy. I didn't feel like reaching back until very recently.
that i have (and i became completely possessed by the black type content and estetics) I'm sort really don't know what it will bring.
a rephotographed excerpt from Panta Rhei VHS tapes, a story within the story. What has stroke me the most, was a concept that
somehow all the sinister future events that came upon us later, could had been sensed in the video footage. At least I could see
them when watched the material for the first time since my childhood. It's feels as an unique chance to travel in time (i was present at my parents wedding). to revise my remembrance of what it was. Confront my former image. And take new pictures.